The ambiguity of spaces, the way planes appear and disappear, not defined but suggested by a small detail or a gesture of the paint is what is at the heart of my practice, I like the atmosphere this creates. Reduced to subtle forms, I invite the viewer to gaze on the abstracted essence of land and sea. My process is one of using multiple layers of oil glazes to achieve depth of light and colour, while using the palette knife to add texture and definition. The work is a meditation not only for the viewer but also in the making.

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